Leaving the slave planet, a world of Levantine decadence, the hero becomes a passenger on a family-owned trading spaceship where the crew speak what happens to be Finnish and live according to a two clan phratry system divided as well from outsiders, the "Fremdi." The social rules are very complex, one may not fraternize with the other clan, but when it comes time to take a wife, one may not marry within one's own clan. Heinlein does not make the fact that the ship members are Finns living according to ancient folk custom explicit, and I only figured this out after I had studied archeology and anthropology and then re-read the book after about a decade.Having lived under a Middle Eastern-style despotry and aboard a clannish trading vessel with a gypsy-like attitude toward strangers, the hero then makes a transition into an British style navy where again he must learn a totally new way of life. He not only learns Western values, he learns his own birth identity and the role he can play, should he choose to, as a citizen of the galaxy.
The book is quite a broadening experience, for its hero and for the reader, and Heinlein's research and fidelity to the systems he describes is impressive. Except for the space element, the story might have been set on 19th century Earth. One of the best aspects of Heinlein "science-fiction" is that it is not alien or technology driven, but plot and character driven. Some of Heinlein's books have the flaw that they lack endings. Yet this story is fully integrated and does not disappoint. Do not be put off by the fact that the main character is an adolescent. The book is fully suitable for adults and I have read it three times. Heinlein's love for humanity, his cosmopolitan sophistication and his nevertheless unending advocacy for the superiority of universal liberal values show that Heinlein himself most assuredly deserved the title Citizen of the Galaxy.
Ralph Peters echoes Ayn Rand in advising that if you want to write, you have to read. His first suggestion is that you read 
Listen to the joyful, enthusiastic, pro-American writer Ralph Peters on CSPAN2 
Growing up in a small Spanish village, Raimunda (Penelope Cruz) and her sister had long heard tales of ghosts, and of the madness visited upon the villagers by the dry East winds. Years before, their parents had died in a fire driven by this wind. Now, returning to bury their long senile and helpless aunt they hear rumours that she had survived with the aid of the ghost of their dead mother Irene (Carmen Maura). Suffering problems of their own, Irene's daughters now become the recipients of her spectral aid.
This latest of Pedro Almodóvar's works, while superior in many ways to his last two movies, 
Orson Welles' 
