Showing posts with label Frank Herbert. Show all posts
Showing posts with label Frank Herbert. Show all posts

Wednesday, December 10, 2008

Greg Bear "The Forge of God"

President Crockerman asked, "Do you believe in God?" Without a moment's hesitation, the Alien replied "We believe in Punishment."

Greg Bear, born in 1951, is a Hugo and Nebula award winning author of some three dozen novels and short story collections. A writer of hard science fiction, he often focuses on biology, especially diseases and microbiology. His Nebula winning Darwin's Radio and its sequel Darwin's Children explore political repression, retroviruses and speciation. Vitals deals with bacteria as communal organisms, as well as devling entertainingly into conspiracy theories. (You will never guess who the KGB has kept alive in a fishtank in the middle of modern Manhattan.) His Hugo winning Blood Music (expanded from a Nebula Winning novella) portrays an apocalyptic transformation of the nature of the self brought on by the escape of genetically enhanced human blood cells down a bathtub drain.

One of his best reviewed books, The Forge of God, deals not with microbiology, but with the Fermi Paradox. If the galaxy is full of alien life, then why aren't they here yet? Why have aliens not yet visited the earth? The answer quickly becomes evident. First, the Jovian moon Europa disappears. Then mountains appear overnight where there was none before in Australia and in Death Valley. Robots promising a golden age emerge from the Australian mountain. In America an enigmatic alien is found near death, apologizing for bearing bad news, and telling the president its simple punitive theology.


Bear is not only a great story teller, he is an artist of literary caliber. His works feature complex interwoven plots with twists that surprise the reader yet fit seamlessly together without resorting to the arbitrary deus ex machina. His characters are well developed, strongly individuated. In Forge of God, the president, a likeable man, is driven to the edge of insanity by the revelation that the world will soon end. His response is religious in form, but Bear does not portray him as some mindless religious stereotype, and, in a touch of sophistication, the populist preacher that Crockerman summons to advise him in fact doubts the appropriateness of a religious response to the physical threat and turns to the president's science advisors to admit that he is out of his league and that the Presdient could perhaps use some more conventional strategic advice.

Whether likening squiggles of toothpaste to little blue tadpoles in the sink or graphically comparing the City of Los Angeles, its citizens transformed into blobs of jelly and sentient fungal growths by a plague, to a vision from a Max Ernst painting, Bear uses vivid concrete images that often approach the poetic in their evocativeness. One can form a detailed mental image of his characters' physical traits and their bearing and gestures. Conflict is well motivated, antagonists act not just out of opposition, but because of an alternate, if mistaken view of the good. Psychology is made apparent through telling thoughts and dialog. Yet facts not known to the characters are not revealed to the reader until they become clear to the protagonists. This maintains a sense of realism and especially of suspense. Is the dying alien in league with the supposed robot benefactors? Is the earth truly at risk? The aliens provoke paranoia in some and disbelief in others. What, we ask, are the plots within the plots?

If you have not read Bear, you can think of him as combining the fast-paced plots of Larry Niven and his knack for contemporary social commentary with the analytic depth and literary quality of Frank Herbert. While I have not been able to get into his The Way, Queen of Angels, or Songs of Earth and Power series, I have thorougly enjoyed all the books of his which I have read past the first few dozen pages. The apocalptic Forge of God, with its epic and very differrent but highly complimentary sequel, Anvil of Stars, is a good place to start.



Read the excellent article on Bear at Wikipedia. Check out his official website. And pick up one of his books, today. The painting above, Into The Forge of God, by Alan Gutierrez depicts the launch of a NASA probe into Jupiters atmosphere and was used on the cover of Bear's novel.

Tuesday, October 21, 2008

Richard Adams "Watership Down"

Frank Herbert's Dune was rejected by almost twenty publishers. Made into two movies, it is now the best selling science-fiction book of all time. Ayn Rand's Fountainhead was rejected by twelve publishers, and has been made into a movie, sold millions of copies, and was voted second-favorite novel of the 20th Century in Modern Library's reader's poll. Richard Adams' Watership Down was rejected by 13 publishers. It has been adapted for film and television. It is 79th on the Modern Library poll. It has sold more copies than any other novel under the Penguin Books label.

Watership Down is the epic adventure story of Fiver, Bigwig and Hazel, three rabbits whose warren is destroyed and who must brave the threats of men, predators, and a band of rabbits run as a military dictatorship in order to build a home in peace and freedom. A critical success, the novel has been likened to Tolkien's work for its complex back-story including a mythology and an invented language. It has been likened to Homer's Odyssey and Virgil's Aeneid for its plot and epic scope. It is the story of the triumph of bravery and cooperation over submission and force.

While the subject might seem juvenile, the story is written at an adult level and will appeal to all who like a well-plotted adventure with a positive theme and a happy ending. This is one book that no parent will begrudge reading his children.

The 1978 movie adaption is quite faithful to the book. It should, of course, be enjoyed after you have read the novel. It is also available in full on YouTube, here:

Monday, October 6, 2008

Frank Herbert "The Santaroga Barrier"

Why do people born in the peaceful California wine valley of Santaroga seldom leave, and always return? Why do passers through rarely stop, and visitors never stay? Why do outside business interests find it impossible to establish a beach head? What makes Santaroga's wine and cheese from the Jaspers Co Op so special, yet immune to analysis? Why have the last two market researchers sent there died under mysterious circumstances? And why is the latest, Gilbert Dasein, the victim of three near fatal accidents within his first 24 hours in the valley?

The Sanataroga Barrier is science fiction, witty social commentary and detective novel all rolled up in one. For those who only know Herbert from his Dune books, this, and his recently reprinted White Plague, show that the master was no one-trick pony. This book involves ideas that touch upon corporatism and cult dynamics, but it is not a novel written merely as an excuse for exploring such ideas. Rather, it is simply an incredibly good story, with all the intricate and multilevel subtleties and wordplay that you would expect from the author of Dune, yet set in a little California wine-town.For example, the hero's name, Dasein, is German for "existence" or "presence" (literally "there-being") used famously by Martin Heidegger in his Being and Time. According to Wikipedia:

For Karl Jaspers, the term "Dasein" meant existence in its most minimal sense, the realm of objectivity and science, in opposition to what Jaspers called "Existenz", the realm of authentic being.

So long as Dasein is an "objective" outsider, his being will lack authenticity in the Santarogan sense. Remarkably the townfolk discuss philosophy and psychology over breakfast in the way that one would expect the residents of a farming town to ruminate about crop prices and the recdent drought. The local paper reads like an in house think tank newsltetter.

This town and this book are not what they seem at first. Herbert integrates, extrapolate and speculate in ways to which no other science fiction writer can compare, and his non-Dune books have been far too long neglected. This is one of the best. Sit down with a nice glass of beer and a plate of cheese and dig in. And don't ruin the suspense by reading any spoilers!

Thursday, September 18, 2008

Frank Herbert "The White Plague"

In the near future, a mild-mannered geneticist sees his family murdered by religious terrorists in cold blood. Deciding to take revenge on the parties involved, he begins working in a basement. But his weapon has unintended consequences... Hard science, strong characterization, poetic language, this is one of my top 10 books. Many people only know Herbert from his Dune books, and if you've only seen the movies, he's been very poorly adapted. All of Herbert's books are brilliant, he has the most multi-layered backstory and widest range of real-world knowledge of any Hard SF writer I know. The White Plague has Yeatsian lyricism and antiseptic Orwellian style. The plot line should give you nightmares, because it could already be under way in Lebanon, in London, in Pakistan, in Iraq, in Albuquerque. The picture is from www.arrakis.co.uk Here is the Amazon listing. The book had been long out of print, which, given its timeliness, speaks volumes about the publishing industry. It has been re-released in an oversized paperback edition. You can find it at your local used book store, or for cheaper than bottled water at abebooks.com.